The book of nature in Gozzano. From “L’analfabeta” to “Le Farfalle”

Authors

  • Diego Pellizzari Université Grenoble-Alpes

DOI:

https://doi.org/10.6093/sigma.v0i3.6592

Keywords:

Guido Gozzano, Analfabeta, Farfalle, nature, poetics

Abstract

By a close comparison between L’analfabeta and Le Farfalle, following the fil-rouge of the book of Nature metaphor, this article tries to show how the first Gozzano’s compositions already had in the making themes and tensions later developed in the last (unfinished) work, and respond to the need for a new poetry capable of going beyond the disenchantment of I Colloqui.

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Author Biography

Diego Pellizzari, Université Grenoble-Alpes

Diego Pellizzari graduated in classical literature at the Scuola Normale Superiore and earned his PhD in Cultural Memory and European Tradition at the University of Pisa. His works revolve around the reception of Antiquity in modern and contemporary culture, comparative literature, and Twentieth-Century Italian literature. His doctoral thesis, published with the title The Exile and the Return of the Pagan Gods in Nineteenth-Century Tales, won the 2015 “Opera Critica” award by the Association Sigismondo Malatesta. After two years spent at the Université Paris-Sorbonne with a project on the spreading of mythology in Europe between the Nineteenth and Twentieth Centuries, he currently carries out his research and teaching activities as ATER at the Université Grenoble-Alpes.

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Published

2019-12-27

How to Cite

Pellizzari, D. (2019). The book of nature in Gozzano. From “L’analfabeta” to “Le Farfalle”. SigMa - Rivista Di Letterature Comparate, Teatro E Arti Dello Spettacolo, (3), 705–728. https://doi.org/10.6093/sigma.v0i3.6592

Issue

No. 3 (2019): The forms and the days. Representations of everyday life in literature, audiovisual, visual and performing arts

Section

Varia

License

SigMa Journal is an open access, online publication, with licence:

cc-by-80x15_80

 CCPL Creative Commons Attribution

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