Brexlit

Embracing Change, New Beginnings at the Abbey Theatre

Abstract

Conjuring the representation of change, as well as its opposite counterpart, iteration, requires a kaleidoscopic approach to understanding the craving for change both on and offstage in post-Brexit Ireland. This includes examining its presence in the Abbey Theatre, long attuned to questions of borders, identity and sovereignty to explore a vanishing cultural identity overflown by an increasing process of globalization. We will first see how the representation of change and iteration partake in the shaping of a renewed national post-Brexit identity and focus on the new Irish exploration of Molière’s work exemplified by the latest adaptation of Tartuffe by Frank McGuinness in 2023. Then we will explore the riveting mirror to life new production of The Quare Fellow in 2024, embracing change and continuing Brendan Behan’s legacy of subversion. And finally, we will examine Marina Carr’s ghost play, Audrey or Sorrow (2024) and show how performance and theatre are privileged places for the post-Brexit Irish society to act out the impact of a haunting history.