V. 13 N. 1 (2009): Music and the Performance of Identity

Visualizza V. 13 N. 1 (2009): Music and the Performance of Identity

Pubblicato: 2021-07-02

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Articoli

The Power to Transgress Music across Borders - Introduction

Serena Guarracino

1-6
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Mediterranean Trade Routes and Frescobaldi’s Magdalene / La Maddalena di Frescobaldi e le rotte del Mediterraneo

Susan McClary

7-20
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Tales of Plagiarism and Pastiche The Music of The Godfather, Il gattopardo and The Glass Mountain

Richard Dyer

35-49
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“On the Street Where you Live” Italian American Doo-Wop in Postwar New York

Alessandro Buffa

51-59
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Hail to the Thief Strategies of Resistance in Radiohead’s Musical Discourse

Pierpaolo Martino

61-72
- PDF (English)
On Indigenous Post-nostalgia Transmedia Storytelling in the Work of Romaine Moreton

Katherine E. Russo

73-87
- PDF (English)
The Soundscapist

Danilo Capasso

89-99
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Migrating Keys A Conversation with Wayne Koestenbaum

Fiorenzo Iuliano

101-107
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Bodies, Voices, Gendered Identities and Postcolonial Subversions of Maps

Marta Cariello

109-116
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Reviews

Neelam Srivastava, Secularism in the Postcolonial Indian Novel. National and Cosmopolitan Narratives in English (Abingdon and New York: Routledge, 2008), x + 210 pp.

Fiorenzo Iuliano

117-120
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Paola Bono, Il Bardo in musical (Roma: Editoria & Spettacolo, 2009), 223 pp.

Alessandra Marino

121-123
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Paola Splendore, ed. and trans., Passaggi a ovest: Poesia femminile anglofona della migrazione (Bari: Palomar, 2008), 170 pp.

Katherine E. Russo

125-128
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