V. 26 N. 2 (2022): Continuity and Change in Screen Shakespeare(s) Eds Sylvaine Bataille and Victoria Bladen

DOI: https://doi.org/10.6093/2035-8504/2022/2

Pubblicato: 2024-10-17

Fascicolo completo

• PDF (English)

Articoli

• Front Matter

  1-4

  • PDF

• Introduction. Continuity and Change. A Screen Shakespeare(s) Snapshot

  Victoria Bladen, Sylvaine Bataille

  1-4

  • PDF

• Sergei Eisenstein and William Shakespeare. A Dialectical Love Story1

  Melissa Croteau

  5-13

  • PDF

• The Shakespearean Tragedy of/for Our Times. Macbeth?

  Kinga Földváry

  15-25

  • PDF

• Fleance and Obscured Scottish Futures in Screen Adaptations of Macbeth by Goold, Kurzel and Coen

  Márta Hargitai

  27-38

  • PDF

• Is Bridgerton Season 2 a Feminist Adaptation of the Shakespearean Character of the Shrew?

  Pauline Durin

  39-50

  • PDF

• From A Midsummer Night’s Dream to Romeo and Juliet through Baz Luhrmann’s Romeo+Juliet. The Levi’s 501 advertisement

  Roberta Zanoni

  51-62

  • PDF

• Afterword. Continuity, Change and Infinite Variety, Revisited

  Diana Henderson

  63-67

  • PDF

Reviews

• Campania felix plays in Laura Angiulli’s film Il re muore (2018; after William Shakespeare’s Richard II)

  Anna Maria Cimitile

  69-71

  • PDF

• Sacrificio d’ammore

  Roberto D'Avascio

  73-75

  • PDF

Notes

• Notes on Contributors

  77-79

  • PDF (English)