Performance of Gender: crossdressing in the adaptation of "As You Like It"

Authors

  • Antonella Piazza Università di Salerno

DOI:

https://doi.org/10.6092/1827-9198/2087

Keywords:

Performance, crossdressing, gender, Shakespeare

Abstract

This presentation – divided into two parts, the first written by Prof. Antonella Piazza and the second written by Ph.D. Maria Izzo – aims at describing and analysing the theatrical adaptation Shakespeare’s Lovers. A Postmodern Pastiche staged in 2010 by DAVIMUS students of English at the university of Salerno. This didactic experimentation results from the students’ re-reading and re-functioning of Shakespearian comedies As You Like It and Much Ado About Nothing. The final work is a pastiche of genres – literary and sexual –, linguistic registers, sources, where cross-dressing, which is highly at stake in the adapted comedies, proves to be a category that deconstructs the binary opposition between genres. The cultural process followed by the students has underlined that it is easier to reread the source text through the principles and fashions of your contemporary age and of the culture of your generation. In particular the students could access a “fictitious” moment where they were able to find out by enjoying themselves that dressing/cross-dressing is an intrinsic element of the creative process of your identity and that the young protagonists of Shakespeare’s adapted comedies were not so distant from them.

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Author Biography

Antonella Piazza, Università di Salerno

Antonella Piazza is Associate professor of English Literature. She published in 2000 a book on tragedy and the rise of the modern nuclear family: Quarto: ‘Onora il Padre’. tragedie domestiche sulla scena elisabettiana [Fourth: ‘Honour thy Father’. Domestic Tragedies on the Elizabethan Stage]. Especially in and for the context of the group of ESRA (Shakespeare in Europe) scholars, she wrote extensively on the Shakespearean canon ( in 2004 she edited Shakespeare in Europe). a number of essays on Shakespeare’s plays-Coriolanus, Timon of Athens- but especially on The Tempest. She has recently directed her students in multimedial rewriting and stage adaptations of The Tempest, Macbeth, Much Ado About Nothing, As You Like It, Midsummer Night’s Dream, Hamlet, The Taming of the Shrew (2013). John Milton’s Paradise Lost is another subject of Antonella Piazza’s cultural research, she has written about many Miltonic loci: the diabolical trinity, food in Eden, the separation scene and the tracts on divorce, Milton-Galileo and the Copernican paradigm. Lastly, mention has to be made of a lifelong interest in women’s writing, especially in the archetypical JaneEyre. E-mail: piazzaa@libero.it

Published

2013-11-07

How to Cite

Piazza, A. (2013). Performance of Gender: crossdressing in the adaptation of "As You Like It". La Camera Blu, (9). https://doi.org/10.6092/1827-9198/2087