MIKADO BAZAAR DI SUNDERLAND E JAPANESE SHOP DI DARLINGTON: PRESENZA DI ARTICOLI GIAPPONESI NEI NEGOZI DEL NORD-EST DELL’INGHILTERRA, 1860-1900

Authors

  • Massimiliano Papini Northumbria University

DOI:

https://doi.org/10.6093/2724-4369

Abstract

In the second half of the nineteenth century, many European countries and North America were hit by a great wave of interest in all things Japanese. This article examines how local retailers played a central role in spreading this cultural phenomenon in a peripheral region, namely the

North East of England.

Through more or less specialist shops, Japanese decorative articles such as textiles, ceramics, lacquerware, and fans became accessible in the North East at the same time as many other parts of Great Britain. By drawing upon newspaper advertisements, it has been possible to demonstrate that

local retailers promoted the same idealised vision of pre-modern Japan that was intertwined with the countrywide desire for cosmopolitanism.

The Mikado Bazaar in Sunderland exploited this new pattern of consumption by arranging a multifaceted shopping experience through which customers could virtually travel to an idealised Japan without leaving Sunderland. Such a reassuring and desirable image of Japan was instrumental in reducing Japanese culture to the state of a commodifiable set of objects.

While the Mikado Bazaar demonstrates how national and global trends can be seen in the North East of England and how such shops become mediators disseminating cultural phenomena for the local community; the Japanese Shop in Darlington reflects the complementary tendency.

Probably inspired by Japan-themed events organised in Darlington, the owner of the Japanese Shop in Darlington took advantage of the already established popularity of Japanese themes among the members of the local community in order to associate non-Japanese articles to the aesthetic excellence commonly attributed to Japanese artistic traditions.

Author Biography

Massimiliano Papini, Northumbria University

Massimiliano Papini is a doctoral candidate in Visual and Material Culture Studies at Northumbria University, Newcastle Upon Tyne. He received a MA in History of East Asian Art (SOAS, 2015) and another MA in History of Art (University of Florence, 2016). His research is concerned with the cultural interaction between Europe and Japan through art and artifacts during the nineteenth and twentieth centuries. In addition to publishing on these themes in academic journals, he also presented his research in national and international conferences such as the XLIII “Convegno di Studi sul Giappone” organized by AISTUGIA (Naples), the 11th “International Convention of Asian Scholars” (Leiden), the “Italy and East Asia: Exchanges and Parallels” (New York). Furthermore, he had the chance to collaborate with museum curators in Italy (Stibbert Museum, Florence, 2014) and in the United Kingdom (Dorman Museum, Middlesbrough, 2017). In 2018, he co-founded a research group of doctoral students named Transcultural Art and Design Research Forum in order to discuss post-colonial topics in an interdisciplinary environment.

Published

2025-02-16