“Die Fortinbrasmaschine”. For a plural Hamlet

Authors

DOI:

https://doi.org/10.6093/sigma.v0i8.11479

Keywords:

Hamlet, Shakespeare, Müller, Roberto Latini, rewriting

Abstract

Amleto Die Fortinbrasmaschine (2016) is one of the most representative work in the Roberto Latini’s theatrography. The Italian actor and director uses the dramatic structure taken from Heiner Müller’s Die Hamlemaschine to stage some parts inspired by William Shakespeare’s The Tragedy of Hamlet. The result is a complex spectacle where the whole dramaturgy is based on a plural perspective embodied by a single presence on the stage that can be defined as a projection of Hamlet filtered by the Fortinbras’ sights.

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Author Biography

Salvatore Margiotta, “L’Orientale” University of Naples

Salvatore Margiotta is an associate professor in History of Modern and Contemporary Theatre. He is the author of the volumes Il Nuovo Teatro in Italia 1968-1975 (Pisa, Titivillus, 2013), La geografia del Nuovo Teatro in Campania 1963-1976 (Caserta, Terre Blu, 2019) e Il teatro futurista (Roma, Carocci, 2022). He wrote several essays including “La scena moderna nel dibattito critico italiano alla fine degli anni Sessanta” (Culture Teatrali, 21, 2011), “Il Living Theatre in Italia: la critica” (Acting Archives Review, 3, 2012), “La pratica dell’eterodirezione nel teatro di Fanny & Alexander” (Acting Archives Review, 20, 2020).

Published

2024-12-28

How to Cite

Margiotta, S. (2024). “Die Fortinbrasmaschine”. For a plural Hamlet. SigMa - Rivista Di Letterature Comparate, Teatro E Arti Dello Spettacolo, (8), 72–87. https://doi.org/10.6093/sigma.v0i8.11479

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