The broken mirror: The voices of the crowd in the Theatre of Elias Canetti
DOI:
https://doi.org/10.6093/sigma.v0i8.11480Keywords:
Elias Canetti, theatre, crowd, choirAbstract
The paper examines Elias Canetti’s theatrical production, highlighting how the three dramas (Hochzeit, Kömodie der Eitelkeit, Die Befristeten) are permeated by the same key themes addressed by the author in his essay Crowds and Power. It proposes an exploration of the interconnection between Canetti’s theatrical influences and his reflections on the nature of the individual and the crowd, suggesting that his inability to imagine dramatic choral unity reflects the impossibility of conceiving a community free from power dynamics.
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