Light and shadow on the application of digital technologies in dance field

From Festival “Più Che Danza!” a reflection on social network and apps for sharing choreographic making processes

Authors

  • Letizia Gioia Monda Sapienza University of Rome

DOI:

https://doi.org/10.6093/sigma.v0i3.6562

Keywords:

Social networks, ek-stasis, dialectic of emptiness, choreographic object, prosumer

Abstract

From the experience of the 5th edition of Festival Più Che Danza!, which took place in Milan on November 2018, this essay presents a reflection on how, in the digital era, technologies are influencing our relational skills and systems of communication. The article argues the concept of ek-stasis, developed by the philosopher Pietro Montani, as an assumption to introduce the principle of “emptiness” as founding element of a contemporary performative dialectic.

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Author Biography

Letizia Gioia Monda, Sapienza University of Rome

Letizia Gioia Monda is Professor on contract of Digital Choreography at the Department of History Anthropology, Religions, Art, Performing arts of Sapienza University of Rome, where in 2014 she got a PhD in Digital Technologies and Methodologies for Research on Performing Arts. Actually, she is collaborating as expert of Sapienza University in the project “Clash! When classic and contemporary Dance collide and new forms emerge“, co-founded by European Community, for the development of Professional Empowerment Strategies on the dancer’s training, the audience development, the marketing and the communication in dance field. Her works and publications are about: body knowledge in dance and choreography, human communication in live performances, dance scores, choreography as boundary object, digitization process of choreographic, videodance as form of digital choreography.

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Published

2019-12-27

How to Cite

Monda, L. G. (2019). Light and shadow on the application of digital technologies in dance field: From Festival “Più Che Danza!” a reflection on social network and apps for sharing choreographic making processes. SigMa - Rivista Di Letterature Comparate, Teatro E Arti Dello Spettacolo, (3), 959–981. https://doi.org/10.6093/sigma.v0i3.6562

Issue

No. 3 (2019): The forms and the days. Representations of everyday life in literature, audiovisual, visual and performing arts

Section

Scenari

License

SigMa Journal is an open access, online publication, with licence:

cc-by-80x15_80

 CCPL Creative Commons Attribution

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