The Comicality and the Acting Theory
DOI:
https://doi.org/10.6093/sigma.v0i3.6590Keywords:
comic acting practice, detachment technique, transgression, identificationAbstract
In the context of the comic acting still practiced today, the essay distinguishes and studies two practices: one for which the actor distances himself from the ridiculous character he represents (for example, laughing at him), close to the mechanisms of satire, and the other where it adheres entirely to its role, in a way in which the comic distance of the viewer from the character can be combined with identification.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
SigMa Journal is an open access, online publication, with licence:
|
|
CCPL Creative Commons Attribution |
The author retains the copyright of his work whilst granting anyone the possibility “to reproduce, distribute, publicly communicate, publicly exhibit, display, perform and recite the work”, provided that the author and the title of the journal are cited correctly. When submitting the text for publication the author is furthermore required to declare that the contents and the structure of the work are original and that it does not by any means compromise the rights of third parties nor the obligations connected to the safeguard of the moral and economic rights of other authors or other right holders, both for texts, images, photographs, tables, as well as for other parts which compose the contribution. The author furthermore declares that he/she is conscious of the sanctions prescribed by the penal code and by the Italian Criminal and Special Laws for false documents and the use false documents, and that therefore Reti Medievali is not liable to responsibilities of any nature, civil, administrative or penal, and that the author agrees to indemnify and hold Reti Medievali harmless from all requests and claims by third parties.