La catena multicolore dell’avventura infinita: romanzo e serie TV
DOI:
https://doi.org/10.6093/sigma.v0i1.5494Abstract
While not aiming at an exhaustive definition of the relationship between the literary and the TV fields, this article proposes a reflection on the transformations of the novel through different times and media. The investigation is based on the comparison of two 19th-century novels - a popular one, Les Mystères de Paris by Eugène Sue, and a realist one, Great Expectations by Charles Dickens - and two contemporary TV series which gained worldwide success - Lost, by J.J. Abrams, D. Lindelof, J. Lieber, C. Cuse; and Mad Men, AMT, by Matthew Weiner.
Through a symptomatic reading of the endings of single episodes and of the series finales, interpreted as clues to more overarching stylistic traits, the article focuses on issues related to long-lasting narrations, and on the textual forms which characterize both the traditional novel and the TV series. In spite of their being an “expanded text” and an “infinite entertainment”, the attention paid to the endings and finales of TV series by showrunners, critics and audiences alike bears witness to the centrality of such a narrative element in the composition and reception of audio-visual works.
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