L’“Arianna” di Giuseppe Salomoni (1776): la trasformazione del ballo italiano nel secondo Settecento
DOI:
https://doi.org/10.6093/sigma.v0i1.5501Abstract
By analysing the opera and dance libretti from 1760 to 1782, we can reconstruct the various stages that led Giuseppe Salomoni (1730-1805) – a famous exponent of the “grotesque genre” – to react to the aesthetic lines emerging in European ballet and launch the requalification of traditional Italian dance with the aim of enhancing expressive effects from a new dramatic perspective.
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