Vol. 11 No. 1/2 (2007): The Other Cinema, The Cinema of the Other

Published: 2021-07-01

Full Issue

Articoli

Speaking of Cinema Speaking with Cinema - Editorial

Lidia Curti

1-7
- PDF
Scratching the Lens Media, Memory and Mimesis

Iain Chambers

9-13
- PDF
Filmic Visuality, Cultural Identity

Rey Chow

15-22
- PDF
Visualità filmica e identità culturale

Rey Chow

23-31
- PDF
Experiments with Truth The Documentary Turn

Mark Nash

33-40
- PDF
Who is Speaking, of Whom, to Whom? The Case of Documentary Film

Marina Vitale

41-53
- PDF
Movement in Between The Difference this Time

Marta Cariello

55-61
- PDF
Cinematic Rearticulations

Isaac Julien

63-71
- PDF
Ri-articolazioni cinematiche

Isaac Julien

73-82
- PDF
Lotus Eye Reading Miyazawa Kenji and Making Night Passage

Trinh T. Minh-ha

83-93
- PDF
Occhio di loto Leggere Miyazawa Kenji e filmare Night Passage

Trinh T. Minh-ha

95-105
- PDF
The Frenzy of the Audible Voice, Image, and the Quest for Representation

Serena Guarracino

107-115
- PDF
‘Absolute Mobility’ in Abbas Kiarostami From Nature to Cinema

Silvana Carotenuto

117-128
- PDF
Burning Memories to Retrieve the Past Contaminations of Bodies and Histories in Pasolini’s Medea

Fiorenzo Iuliano

129-144
- PDF
Cinema and Identity in David Lynch’s Mulholland Drive

Bianca Del Villano

145-157
- PDF
A Bit of Spring Everywhere Subjectivity as an Effect of Time in Kim Ki-Duk’s Films

Stamatia Portanova

159-172
- PDF
Filmscapes of Antagonism From Hausa Videos to Amir Naderi’s Visions

Celeste Ianniciello

173-185
- PDF
Ingrid Mwangi Performing Body, Projecting Screen

Maria Cristina Nisco

187-200
- PDF

Vol. 11 No. 1/2 (2007): The Other Cinema, The Cinema of the Other

Full Issue

Articoli

Speaking of Cinema Speaking with Cinema - Editorial

Scratching the Lens Media, Memory and Mimesis

Filmic Visuality, Cultural Identity

Visualità filmica e identità culturale

Experiments with Truth The Documentary Turn

Who is Speaking, of Whom, to Whom? The Case of Documentary Film

Movement in Between The Difference this Time

Cinematic Rearticulations

Ri-articolazioni cinematiche

Lotus Eye Reading Miyazawa Kenji and Making Night Passage

Occhio di loto Leggere Miyazawa Kenji e filmare Night Passage

The Frenzy of the Audible Voice, Image, and the Quest for Representation

‘Absolute Mobility’ in Abbas Kiarostami From Nature to Cinema

Burning Memories to Retrieve the Past Contaminations of Bodies and Histories in Pasolini’s Medea

Cinema and Identity in David Lynch’s Mulholland Drive

A Bit of Spring Everywhere Subjectivity as an Effect of Time in Kim Ki-Duk’s Films

Filmscapes of Antagonism From Hausa Videos to Amir Naderi’s Visions

Ingrid Mwangi Performing Body, Projecting Screen

Reviews

Iain Chambers, ed., Esercizi di potere. Gramsci, Said e il postcoloniale (Roma: Meltemi, 2006), 140 pp.

Brad Butler and Keren Mizra, eds., Cinema of Prayoga. Indian Experimental Film and Video 1913-2006 (London: no.w.here, 2006), 144 pp.

Couze Venn, The Postcolonial Challenge. Towards Alternative Worlds (London, Thousand Oaks, New Delhi: Sage Publications, 2006), 219+viii pp.

Language

Information