V. 11 N. 1/2 (2007): The Other Cinema, the Cinema of the Other

Speaking of Cinema Speaking with Cinema - Editorial

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Scratching the Lens Media, Memory and Mimesis

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Filmic Visuality, Cultural Identity

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Visualità filmica e identità culturale

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Experiments with Truth The Documentary Turn

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Who is Speaking, of Whom, to Whom? The Case of Documentary Film

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Movement in Between The Difference this Time

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Cinematic Rearticulations

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Ri-articolazioni cinematiche

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Lotus Eye Reading Miyazawa Kenji and Making Night Passage

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Occhio di loto Leggere Miyazawa Kenji e filmare Night Passage

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The Frenzy of the Audible Voice, Image, and the Quest for Representation

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‘Absolute Mobility’ in Abbas Kiarostami From Nature to Cinema

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Burning Memories to Retrieve the Past Contaminations of Bodies and Histories in Pasolini’s Medea

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Cinema and Identity in David Lynch’s Mulholland Drive

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A Bit of Spring Everywhere Subjectivity as an Effect of Time in Kim Ki-Duk’s Films

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Filmscapes of Antagonism From Hausa Videos to Amir Naderi’s Visions

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Ingrid Mwangi Performing Body, Projecting Screen

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Iain Chambers, ed., Esercizi di potere. Gramsci, Said e il postcoloniale (Roma: Meltemi, 2006), 140 pp.

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Brad Butler and Keren Mizra, eds., Cinema of Prayoga. Indian Experimental Film and Video 1913-2006 (London: no.w.here, 2006), 144 pp.

Couze Venn, The Postcolonial Challenge. Towards Alternative Worlds (London, Thousand Oaks, New Delhi: Sage Publications, 2006), 219+viii pp.

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A.A.V.V., Remapping World Cinema: Identity, Culture and Politics in Film, edited by Stephanie Dennison and Song Hwee Lim (London-New York: Wallflower Press, 2006), 224 pp. Shohini Chaudhuri, Contemporary World Cinema : Europe, the Middle East, East Asia and South Asia (Edinburgh: Edinburgh University Press, 2005), 200 pp.

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