The origins of the plebs Sanctae Agathae. Inscriptions lost and rediscovered on the history of Santhià in the Early Middle Ages
DOI:
https://doi.org/10.6092/1593-2214/419Keywords:
Epigraphy, sculpture, onomastics, Lombards, pilgrimage, rural Christianization, liturgical ornamentsAbstract
Two fragments of white marble are embedded in the apsis’ wall outside the parish church of St. Agatha in Santhià (near Vercelli, in Piedmont): the first one is engraved with the final part of a dedicatory inscription to a martyr by a clergyman named Vvalpertus (or Alpertus); the second one is a part of a small pillar or a lintel coming from a presbytery enclosure, and is decorated with a motif of intertwined gallons. The inscription stayed in the middle of a pluteus bordered by a carved frame, of which only a part of the lower band survives: the letters and the style of the decorations allow a chronology within the 8th century, while the fragment of pillar is to be traced back to a period between the 8th and the first half of the 9th. Of special interest are the Lombard onomastic of the dedicator and, in the final surviving text, the “signature” of a sculptor, which is present in a second inscription of Lombard age found in Piedmont, adorned with carved decorations as well. The analysis of these artefacts - hitherto unpublished - offered the opportunity to restudy two other inscriptions once existing in the church of St. Agatha, long lost and of uncertain authenticity: all these data allow various deductions about the history of Santhià over the centuries of the early Middle ages, the presence of a clergy in the countryside of the diocese of Vercelli, and the work of sculptors and engravers active between the 8th and 9th century in an area between Lombardy, Piedmont, Liguria and Provence, labelled in the past under the unifying name of “bottega delle Alpi Marittime”.Downloads
Downloads
Published
How to Cite
Issue
Section
License
RM Journal is an open access, online publication, with licence:CCPL Creative Commons Attribution |
The author retains the copyright of his work whilst granting anyone the possibility “to reproduce, distribute, publicly communicate, publicly exhibit, display, perform and recite the work”, provided that the author and the title of the journal are cited correctly. When submitting the text for publication the author is furthermore required to declare that the contents and the structure of the work are original and that it does not by any means compromise the rights of third parties nor the obligations connected to the safeguard of the moral and economic rights of other authors or other right holders, both for texts, images, photographs, tables, as well as for other parts which compose the contribution. The author furthermore declares that he/she is conscious of the sanctions prescribed by the penal code and by the Italian Criminal and Special Laws for false documents and the use false documents, and that therefore Reti Medievali is not liable to responsibilities of any nature, civil, administrative or penal, and that the author agrees to indemnify and hold Reti Medievali harmless from all requests and claims by third parties.