Rimbaud, figures of origin between the “derniers vers” and “Une saison en enfer”
Keywords:
Rimbaud, Versification, Prose poem, Figures of familyAbstract
This article attempts to analyse the figures of origin (most of all familiar) in Rimbaud’s transition from verse to prose, more specifically from the “derniers vers” to the prose poems of Une saison en enfer. Through a stylistic and thematic study, it questions the letter and meaning of a corpus of poems, in order to show not so much the clear distinctions as the progressive nuances that appear in the texts as regards the evolution of the original figures.
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