Chorality and poliphony on the contemporary stage
DOI:
https://doi.org/10.6093/sigma.v0i8.11475Keywords:
chorus, chorality, polyphony, communityAbstract
The return of the chorus in contemporary staging and dramaturgy is a phenomenon that inevitably departs from the classical model of Greek tragedy, where the chorus was limited to commenting on events and drawing conclusions, emphasizing a moral, ethical, or political message. While it may still carry the authoritative voice of the author, it is often no longer composed of many voices speaking in unison but rather a collection of individuals jointly contributing to the creation of a discourse. Thus, the classical tragedy’s chorus has been succeeded on the modern stage by a communal, group-based choral use, which bears a strong resemblance to the unreadable figures of postmodernity.
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