Mario Praz and the picturesque Spain by Théophile Gautier

Authors

  • Aurélia Cervoni Université Paris-Sorbonne

DOI:

https://doi.org/10.6093/sigma.v0i3.6559

Keywords:

Romanticism, picturesque, Théophile Gautier, Mario Praz, Spain

Abstract

Criticism of the picturesque clichés that Theophile Gautier set in the Voyage en Espagne (1843), the book of Mario Praz, Penisola pentagonale (1928), is in the extension of the essay of Miguel de Unamuno, In torno al casticismo (1895), and of the Spanish regenerationist movement. Sensitive, despite appearances to the ironic dimension of Gautier’s Voyage en Espagne, Praz especially denounces the misunderstanding that is set up between readers of the early twentieth century and romantic literature.

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Author Biography

Aurélia Cervoni, Université Paris-Sorbonne

PhD fellow at Paris-Sorbonne University, Aurélia Cervoni is co-head of the « Baudelaire Group » of the Institute of Modern Texts and Manuscripts (CNRS - École normale supérieure). Author of a volume on Théophile Gautier (Théophile Gautier devant la critique 1830-1872, Classiques Garnier, 2016), she contributed to the publication of Œuvres complètes by Rimbaud edited by André Guyaux (Bibliothèque de la Pléiade, 2009), and she published, with Andrea Schellino, Le Spleen de Paris by Baudelaire (GF-Flammarion, 2017). Copyeditor of L’Année Baudelaire, she is co-publishing the first online edition of Baudelaire’s correspondence.

Published

2019-12-27

How to Cite

Cervoni, A. (2019). Mario Praz and the picturesque Spain by Théophile Gautier. SigMa - Rivista Di Letterature Comparate, Teatro E Arti Dello Spettacolo, (3), 915–927. https://doi.org/10.6093/sigma.v0i3.6559

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