‘My City of Ruins’. Religion and Ideology in the American Songs Composed After 9/11 (2001-2003)
DOI:
https://doi.org/10.6093/sigma.v0i6.9487Keywords:
religion, ideology, United States, popular music, terrorismAbstract
Between 2001 and 2003, the world of American popular music tried to process the collective trauma of 9/11 by adopting representational strategies based on the manipulation of the Judeo-Christian imagery and the stereotyping of the Muslim ‘Other’. By combining the tools of musical-poetical analysis and ideological criticism, the article aims at comparing the opposite artistic outcomes originated from this ambiguous “religious aesthetics”, recognizable both in the vindictive reactionarism of country music (e.g. Where were you (when the world stopped turning)? by Alan Jackson) and in the anti-war multiculturalism of rock (e.g. The Rising by Bruce Springsteen).
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