“Petrolio” è un poema intermediale. Cinema, poesia e cronaca come stili di scrittura dell’ultimo Pasolini
DOI:
https://doi.org/10.6093/sigma.v0i2.5970Keywords:
Pasolini, opacity, transparency, intermediality, remediationAbstract
The essay rereads some stylistic and structural elements of Petrolio, the great posthumous novel by Pier Paolo Pasolini. Referring to the most successful hermeneutic efforts on the text, the work emphasizes the role of contamination between media within the novel, as a key element to understand its singular form, drawing inspiration from Pasolini’s theoretical essays in Empirismo Eretico. In fact, it is precisely the field of the media and of intermediality where historically all the complex problems that Petrolio tried to address were emerging, in clear opposition with other outcomes of the contemporary postmodern literature.
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