The First ‘décimas’ of “El Caballero de Olmedo”: from Themistius to León Hebreo
DOI:
https://doi.org/10.6093/sigma.v0i4.7501Keywords:
Mythology, Love Theory, 17th Century Spanish TheatreAbstract
In the first décimas of the comedy El caballero de Olmedo Lope offers a precept of reciprocal love using two complementary sources: Themistio’s apologue on Eros and Anthers and the Dialoghi di amore de León Hebreo. The Greek apologue, translated into Latin in the 16th and 17th centuries, was recreated by Lope very explicitly, throughout his life in the three great genres that cultivated, prose of fiction, poetry and comedy. For the same purpose, he had used the Dialoghi in other comedy, Fuenteovejuna.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
SigMa Journal is an open access, online publication, with licence:
|
|
CCPL Creative Commons Attribution |
The author retains the copyright of his work whilst granting anyone the possibility “to reproduce, distribute, publicly communicate, publicly exhibit, display, perform and recite the work”, provided that the author and the title of the journal are cited correctly. When submitting the text for publication the author is furthermore required to declare that the contents and the structure of the work are original and that it does not by any means compromise the rights of third parties nor the obligations connected to the safeguard of the moral and economic rights of other authors or other right holders, both for texts, images, photographs, tables, as well as for other parts which compose the contribution. The author furthermore declares that he/she is conscious of the sanctions prescribed by the penal code and by the Italian Criminal and Special Laws for false documents and the use false documents, and that therefore Reti Medievali is not liable to responsibilities of any nature, civil, administrative or penal, and that the author agrees to indemnify and hold Reti Medievali harmless from all requests and claims by third parties.
