‘À la recherche du silence’. The Arid Words in Michelangelo Antonioni’s “Existential Trilogy”
Keywords:
Michelangelo Antonioni, existential trilogy, silence, screenplays, musicAbstract
Through the comparative analysis of heterogeneous sources related to L’avventura (1960), La notte (1961), and L’eclisse (1962), this study will highlight the principal strategies employed by Michelangelo Antonioni and his collaborators to pare down dialogues for an exaltation of the metonymic function of objects, physical and moral voids, and, most importantly, silences, with the aim of achieving essentiality in the final cinematic rendering.
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