Livia’s Conscience. Reading the ‘incipit’ of Camillo Boito’s “Senso”

Authors

  • Aurélie Gendrat-Claudel Université Paris-Sorbonne

DOI:

https://doi.org/10.6093/sigma.v0i2.5981

Keywords:

Senso, Camillo Boito, incipit, unreliable narrator, reader

Abstract

This paper offers a close reading of the first paragraphs of Camillo Boito’s Senso (1883), using the existing analysis based on the narrator’s unreliability (E. Porciani, C. Bertoni) as well as the theoretical framework elaborated by A. Del Lungo about the incipt as a strategic threshold for narrative texts, in relation to the concepts of seduction and sensuality. The purpose is to demonstrate how a minor short story can display quite complex narrative devices to involve the reader in the hermeneutic process, so as to offer a metaphor for literature itself.

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Published

2018-12-30

How to Cite

Gendrat-Claudel, A. (2018). Livia’s Conscience. Reading the ‘incipit’ of Camillo Boito’s “Senso”. SigMa - Rivista Di Letterature Comparate, Teatro E Arti Dello Spettacolo, (2), 419–438. https://doi.org/10.6093/sigma.v0i2.5981

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