Domus Quieta. Facultas Certa: Dialoghi all’italiana nel Palacete Lambertini

Autori

  • Ana Ester Tavares CITCEM, Universidade do Porto; FCT; CESEM, Universidade NOVA de Lisboa
  • Hugo Barreira CITCEM, Universidade do Porto

DOI:

https://doi.org/10.6093/2532-2699/11813

Parole chiave:

Nicola Bigaglia (1841–1908), Michel’angelo Lambertini (1862–1920), Palacete Lambertini, Italian Architecture in Portugal, Decorative Arts

Abstract

This paper examines the impact of Venetian architect Nicola Bigaglia (1841–1908) on Portuguese architecture, with particular emphasis on his celebrated Palacete Lambertini project. Invited to Portugal in 1880 to support the modernization of industrial education, Bigaglia made significant contributions to architecture and the decorative arts, fostering the adoption of Art Nouveau in Portugal. His projects, notably on Lisbon’s Avenida da Liberdade, incorporate Italian architectural elements blended with Portuguese sensibilities, as seen in his award-winning works such as Palácio Lima Mayer and Palacete Lambertini. Focusing on the Palacete Lambertini, a residence commissioned by the Italian-Portuguese musician Michel’angelo Lambertini, this article explores Bigaglia’s use of classical elements — including Serlian arches and culturally resonant inscriptions — to interpret how Italian architectural forms were adapted to express new meanings within the Portuguese context. Through detailed analysis of this mansion alongside comparisons with contemporary architectural trends, this study sheds light on the interplay between Bigaglia’s Italian heritage and his Portuguese surroundings, underscoring processes of cultural adaptation and the dialogue between designer and client identities. Marking the 120th anniversary of the Palacete Lambertini, this paper deepens our understanding of Italian architectural influence in Portugal and its evolving cultural significance.

Biografie autore

Ana Ester Tavares, CITCEM, Universidade do Porto; FCT; CESEM, Universidade NOVA de Lisboa

Ana Ester Tavares is a PhD student in Heritage Studies – History of Art at the Faculty of Arts and Humanities, University of Porto, Portugal. Her project “Private spaces for music in the 19th and 20th centuries in Portugal”, in collaboration with the National Museum of Music, is funded by a doctoral research grant from the Foundation for Science and Technology. Her passion for exploring the intersections of Music and Art History stems from her academic and professional background in both fields.

Hugo Barreira, CITCEM, Universidade do Porto

Hugo Barreira, PhD in History of Portuguese Art (2017) by the Faculty of Arts and Humanities of University of Porto (FLUP). Assistant Professor of the Department of Heritage Studies of FLUP and integrated researcher on CITCEM – Transdisciplinary Research Centre “Culture, Space and Memory”. His main research fields are moving image media and visual studies, as well as history of architecture, urban history and artistic and cultural production of 19th and 20th centuries.

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Pubblicato

2025-07-07

Come citare

Tavares, A. E., & Barreira, H. (2025). Domus Quieta. Facultas Certa: Dialoghi all’italiana nel Palacete Lambertini. Studi E Ricerche Di Storia dell’architettura, 2(16), 26–41. https://doi.org/10.6093/2532-2699/11813

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