The Tekniska Högskolans Studentkår in Stockholm: A Collective Springboard to Modernity

Authors

DOI:

https://doi.org/10.6093/2532-2699/12491

Keywords:

Swedish architecture, Funkis, KTH, Stockholm exhibition, New empiricism

Abstract

The Students’ Union Building (THS) at the Royal Institute of Technology (KTH) in Stockholm reflects the evolving trajectory of Swedish modernism. Inaugurated in 1930, shortly after the Stockholm Exhibition, the original structure, designed by Sven Markelius and Uno Åhrén, embodied the functionalist vision promoted by Sweden’s emerging young architects. Conceived as a social hub for students, the building mirrored the ideas such as equality and cooperation. However, the THS’s history extends far beyond its initial construction, revealing a century-long evolution shaped by architectural competitions, shifting educational needs, and direct commissions. Subsequent expansions by Markelius and Bengt Lindroos in 1952 and by Lindroos (supported by Hans Borgström) in 1977 reflected the changing of the influence to the New Empiricism and of the spontanitet. The present paper reconstructs these processes through unpublished archival materials, challenging traditional narratives that isolate architectural authorship from broader socio-political contexts. By tracing THS’s overlooked international reception this paper repositions the building as a dynamic site of architectural discourse, illustrating Sweden’s modernist evolution and its continued relevance in contemporary debates on collective architectural practice.

Author Biographies

Chiara Monterumisi, Università di Bologna

Chiara Monterumisi, architect and fellow at the International Research Centre CFC, University of Bologna, where she has collaborated with the CSAC Archive (Parma). Previously, she was a Postdoctoral Fellow at EPFL Lausanne (2016–2020), conducting two projects on Stockholm and Copenhagen interwar housing, one funded by the SNSF Swiss National Science Foundation. She holds a PhD in Architecture and Design Cultures (2015) from the University of Bologna, co-tutored with KTH Stockholm. She authored Ragnar Östberg. Villa Geber, a house in the archipelago (Edibus, 2017), co-edited Kay Fisker. Copenhagen Housing Types (1936) and Row-house Types (1941) (EPFLPress, 2024), and co-guest editor of special issues for Urban Planning (2019) and Planning Perspectives (2025) as well as edited volume Canons and Icons: re-wondering a transcultural contamination (Quasar, 2025). She co-curated exhibitions: HOUSING Frankfurt Wien Stockholm (EPFL, 2018), the Swedish section of Good News. Women in Architecture Architecture with MaXXI museum (Stockholm, 2023), and contributed to Landscape Archive (CSAC Parma, 2024).

Eugenio Lux, Politecnico di Torino

Eugenio Lux is architect and journalist, PhD candidate in History of architecture at Politecnico di Torino with a research project on the interplay between architecture and politics in Social Democratic Sweden of folkhemmet (1932–1976). In 2024 he obtained a double degree in Architecture from Politecnico di Milano and Alta Scuola Politecnica with a dissertation on the modernism’s breakthrough in Sweden (1930–1931). He has spent study and research periods at some of Europe’s leading universities: TU Delft (2022), KTH Stockholm (2022), EPFL Lausanne (2023), Chalmers Göteborg (2024). He participates in teaching and research activities at Politecnico di Milano, and he collaborates with magazines Domus, Il Giornale dell’Architettura, ArchAlp and Gizmo. He is the author of the first Italian translation of acceptera (1931), the book-manifesto of modern Scandinavian architecture (LetteraVentidue, 2024). He is currently working on the Stockholm architectural guide for On the Road City series (Forma, 2025, with Aurora Riviezzo).

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Published

2025-07-25

How to Cite

Monterumisi, C., & Lux, E. (2025). The Tekniska Högskolans Studentkår in Stockholm: A Collective Springboard to Modernity. Studi E Ricerche Di Storia dell’architettura, 1(17), 120–143. https://doi.org/10.6093/2532-2699/12491

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