The representation of the enemy in Pontano’s “De bello Neapolitano”
DOI:
https://doi.org/10.6093/2974-637X/1110075Keywords:
Italian Humanism and Renaissance, Humanistic Historiography, Monarchical Humanism, Giovanni PontanoAbstract
The essay provides a reflection on the rhetorical modalities of enemy’s representation in the Pontano’s narrative of the ‘war of Naples’, the conflict following the so-called first conspiracy of the Barons. Particular attention is paid to the portraits of Ferrante, Giovanni d’Angiò, Giovanni Antonio Orsini and Jacopo Piccinino, as well as the use of speeches and military adlocutiones.
Downloads
Published
2022-06-30
How to Cite
Iacono, A. (2022). The representation of the enemy in Pontano’s “De bello Neapolitano”. Cesura - Rivista, 1(1), 169–214. https://doi.org/10.6093/2974-637X/1110075
Issue
Section
Discussions (Monographic section)
Categories
License
Copyright (c) 2023 Antonietta Iacono

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The terms of the license can be found here.